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Issue
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In this, Lewes’ time of need,
with Tesco threatening to supersize, Angel Property
planning to build a high-rise suburb next to the town
centre and Onyx preparing to build a vast incinerator
down the Ouse Valley, we need the local media to be
strong, vibrant and pro-active. We need to know exactly
what is going on with these proposals, exactly how much
social and environmental damage they are going to cause,
and, if they demand opposition, exactly what we can
do to oppose them. Why is it, then, that the Sussex
Express, which claims to be ‘The Paper for Lewes’
has dealt with these issues in such an insipid, piecemeal
manner? Why is it that most articles on these issues
seem to be re-hashed press releases, occasionally written
by the very organisations which should be being investigated?
Why aren’t any of the paper’s journalists
looking under the stones of these local issues to see
what murky truths lie beneath them? Why is it that the
paper’s most incisive, intelligent and well-written
pieces should be located in the letters pages and penned
by its readers? We call upon the Sussex Express to use
the resources it possesses to get more involved in the
issues which really matter to this wonderful town. We
call upon the Sussex Express to reassess its editorial
policy and to become the sort of newspaper that Lewes
deserves and needs in these uncertain times.
We have sent a copy of this editorial to the Sussex
Express for submission to the letters pages. Enjoy the
week.
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Above Mud by
Andy Grant. Cover Portrait no. 93 by Viv Cecil,
guest artist at the Chalk Gallery this month.
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Issue
15 |
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Art:
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Duncan Bullen (4); Chalk
Gallery (15) |
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Bricks
& Mortar: |
Lewes Priory Mount (26) |
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Contact
us |
(31) |
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Gigs:
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Boho (14); Ska Toons (17); Turning
Green (18) |
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Easter: |
Why does the date move? (10); History
of Egg hunting (11) |
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Folk:
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Andy Irvine (8) |
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Food
& Drink: |
White Hart Hotel (27) |
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Football:
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Lewes v Havant (22) |
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Horse
Racing: |
Plumpton Easter Festival (20) |
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Jazz:
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Howard Alden (9) |
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Kids:
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Drama Day (5); National Trust egg
hunts (12); Lewes Youth Council fundraising egg
hunt (16); Military re-enactment (19); Bones &
Teeth (23) |
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My
Lewes: |
Mr Catlin (28) |
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Next
Week: |
Tony Benn, Norman Baker and much
more…(32) |
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Opinion: |
Local Press (2); Phoenix (24); Trees
(25) |
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Photography: |
Sue Barnes (30) |
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Shopping: |
Chocolate Shops (21); Kitchen Shop
(29) |
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Subscribe
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(2 & 31) |
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Talk:
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Milan Rai on the London Bombings
(7) |
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Walk: |
Chattri Downland Walk (6) |
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Turning Green turn black
and white (see page 18) |
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Thursday
13th April |
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Art -
Duncan Bullen
For the last month Duncan Bullen’s
subtle, peaceful abstract paintings have made the Star
Gallery a calming haven for peace-loving Lewesians to
collect their thoughts. They are going down on Sunday,
so this weekend is your last chance to experience the
meditative effect these works can have on you. The artist
spends several weeks every year in Santa Caterina, a
16th century former hermitage on the island of Elba.
His visits to this spiritually rich haven have been
central to the development of his unique style. Bullen’s
works, painted in oils and watercolours on wood and
paper, are usually shaped as circles, squares, cruciforms
or quatrefoils. They seem to contain, in their subtle
tonal gradations, a depth of spiritual power stored
within their frames. They seem to change as you move
around the room.
In the prologue of Night Prayers a critic writes
that looking at his work is like ‘being at the
still point of the turning world.’ He has recently
published a book of the work he has produced in the
hermitage, entitled Night Prayers. ‘The
prayer and ritual that have been said for centuries
seem to get into your skin. And into your soul, if you
are watchful and prepared to watch in quiet expectation,’
he says of the experience. The next exhibition at the
Star Gallery, from April 29th, will be rather different:
a collection of colourful silkscreen Cuban film posters
from the 60’s to the present day. AL |
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Night Prayers: your last
chance to see Duncan Bullen’s calming
exhibition at the Star Gallery |
Where?
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Star Gallery |
| When? |
11am-5.30pm. (Closed Good Friday). |
| How Much? |
Free |
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Star
Gallery
(t) 01273 480218
(w) Website |
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Thursday
13th April |
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Drama
Day
Sussex Past are offering ‘a day
of dramatic activity’ for eight pluses in Anne
of Cleves House today. It is a drop-off event. You’ll
be leaving your kids in good hands, and in a fine setting.
Sometimes it is easy to forget the rich historical heritage
that we have in Lewes, and what amazing venues we have
for such events.
Anne of Cleves was a wise woman, who chose not to make
a drama out of a crisis after her brief six-month period
as the fourth wife of Henry VIII came to an end. They
had married in January 1540, effectively against Henry’s
wishes. Having been persuaded to wed for political purposes,
he had sent Hans Holbein to paint Anne, and was pleased
with the favourable portrait which came back (see right).
But it seems that Holbein had airbrushed out the queen-to-be’s
smallpox scars, and Henry, on first meeting his future
wife, had somewhat ungallantly declared, “I like
her not”. By July, Henry had managed to annul
the marriage, divorcing the woman he cruelly dubbed
‘the Flanders Mare’ to wed Catherine Howard
a mere 20 days later. Anne sensibly chose to stay on
good terms with Henry (by now no oil painting himself),
and effectively became his ‘sister’ in the
court. She managed to amass a small personal fortune,
as well as a property portfolio including Hever Castle
in Kent and the then-new timber-framed Wealden Hall
House in Lewes. What a dramatic place for your kids
to start off an illustrious acting career! NW |
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Holbein’s Anne
of Cleves portrait was enough for
Henry VIII to say ‘I will’ |
Where?
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Anne of Cleves House, Southover High St,
Lewes |
| When? |
10.30am – 3pm |
| How Much? |
£10 (Pre-booking is required) |
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Anne
of Cleves House
(t) 01273 474610
(w) Website
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Thursday
13th April |
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Walk -
ESCC Downland Walk
During the First World War thousands
of Indian troops were mobilised to fight in various
theatres. Some of them were unfortunate to be moved
from their original deployment as reserves in Egypt
to the front line on the Western Front. They were ill
equipped for such a struggle, and casualties were enormous.
The wounded who survived the journey across the Channel,
were treated in various centres on the South Coast of
England - a number of them in the Royal Pavilion in
Brighton. The Hindus and Sikhs who died there, and in
other local hospitals used for the purpose, were cremated
on the hill behind Patcham (the Muslim dead were taken
to a Mosque in Woking). In 1921, to commemorate these
poor men’s ultimate sacrifice for the British
Empire, the government erected a memorial chattri, a
domed structure on pillars, at the spot they were cremated.
The latest guided walk organised by the East Sussex
County Council takes you up Ditchling Beacon and past
the Chattri. The route then skirts the A27, and takes
you over the crest of another hill to Stanmer Park,
past Stanmer House, and into Stanmer village before
turning back across the ridge and along the South Downs
Way to your starting point. You are advised to take
a packed lunch and a flask of coffee. It’s a fairly
strenuous walk, so wear sensible footwear and a waterproof
jacket.
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The Chattri: in memory
of the Sikh and Hindu war dead |
Where?
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Meet at Ditchling Beacon Car Park |
| When? |
10am (walk takes approximately 5 hours) |
| How Much? |
Discretionary contribution |
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East
Sussex County Council
(t) 01273 481654
(w) Website
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Thursday
13th April |
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Peace
talk - Milan Rai
The last time peace activist Milan Rai
was in Lewes he spent two weeks in the prison for refusing
to pay a fine in compensation to the Foreign Office
for statements painted on the FCO building in the run-up
to the bombing of Fallujah. Rai is back tonight in the
more salubrious setting of Southover Grange to give
a talk about the premise of his latest book The London
Bombings, Islam and the Iraq War. The book is an examination
of the motivation behind the bombings.
Tony Benn is much better qualified than us to discuss
the importance of the book. ‘Milan Rai’s
book about the July bombings in London,’ writes
the seasoned activist, ‘is clear, scholarly, analytical,
powerful, persuasive, and very readable. Seeking the
real explanation for those events he completely destroys
the illusion spread by the prime minister that they
had nothing to do with Britain’s illegal aggression
against Iraq, which no one really believes. The author,
a man committed to peace, holds no brief for the violence
in those attacks and the suffering they caused, but
patiently takes us through the circumstances that played
a part in motivating those that carried them out. This
is a book that everyone with a serious interest in the
crisis we face must read if they are to hope to understand
it, its causes, its effects, and how we might resolve
it.’ The talk is organised by the Lewes branch
of the CND. AL |
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Milan Rai: return to
Lewes |
Where?
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Southover Grange |
| When? |
7.30pm |
| How Much? |
Donations gratefully received |
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Lewes
CND:
(t) 01273 473912
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Thursday
13th April |
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Folk -
Andy Irvine
One of Irish music’s most enduring legends
concerns Planxty’s first live gig in Galway. The
band, featuring Christy Moore, Andy Irvine, Donal Lunny
and Liam O’Flynn had just formed having recorded
together on Moore’s album Prosperous. As a live
band they were an unknown quantity: no-one knew what
to expect when they supported Donovan. After their first
song Irvine remembers hearing the crowd going mad, but,
as he was unable to see them through the stage lights,
he was worried they might be booing the band off the
stage. Instead they were roaring their enthusiasm, and
a legend was born. Planxty went on to become highly
successful not only in Ireland and Britain but across
the whole of Europe: they split briefly in the mid seventies
but reformed again before the decade was over and went
on recording and gigging until 1983. Irvine shared the
singing responsibilities with Moore: as well as playing
the mandolin he penned all the band’s original
songs.
Irvine is an accomplished musician on the bouzouki,
mandolin, mandola, guitar, harmonica and hurdy gurdy.
He tours solo as well as playing with Patrick Street
and Mosaic, bands he formed after Planxty’s demise.
In 2004, after a low-key reunion gig in Lisdoonvarna,
Planxty briefly reformed and played further gigs in
Dublin and County Clare, releasing a new album Live
in 2004. Whether the band will play again remains
unsure. What is for sure is that Irvine is a bona fide
folk-rock legend. AL |
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Andy Irvine: ex Planxty
man at the Oak |
Where?
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Royal Oak, Station St, Lewes |
| When? |
8pm |
| How Much? |
£4.50 |
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Folk
at the Oak
(t) 01273 478124
(w) Website
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Friday 14th
April |
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Why does
Easter move?
One day it came up in conversation:
why does Easter move around the calendar? Christmas
doesn’t do that. Our birthdays don’t do
that. What’s so special about Easter? We started
asking around. Even the people who normally have answers
for everything gave bluffy politician-type answers.
‘It’s based on the old Hebrew calendar,
and the cycles don’t quite fit,’ said one
guy, who edits encyclopedias for a living.
‘But it shifts, like, a whole month from
one year to another.’
‘They really don’t fit.’
Google, as ever, came to our rescue. It was all decided,
it seems, back in 325AD at the first Council of Nicaea,
convened by the Emperor Constantine. Different countries
were celebrating Easter on different days, and the emperor,
head of the Christian church, wanted a simple solution
to the problem. He didn’t get one. The Council
decided that Easter should be held on the first Sunday
after the first full moon after the spring equinox.
This would give the holiest of days maximum light, day
and night, as there would be around twelve hours of
daylight, and around twelve hours of moonlight. Unfortunately
it also meant that Easter could fall anywhere between
March 22nd and April 25th.
In 1990, after 1,665 years of confusion over this frankly
bizarre compromise (based on the Hebrew celebration
of Passover) the Vatican approved the idea of a fixed-date
Easter. JP2, it seems, was tired of arguments about
different calendars meaning different Easters in Western
and Eastern Europe, and disputes over the difference
between an ecclesiastical full moon and an astronomical
full moon. This approval has never been ratified. Frankly,
enjoying all the unholy disruption it causes, we hope
it never is. AL |
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A Moveable Feast: why
does Easter shift around? |
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Friday 14th
April |
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Easter
Traditions… Go on an Easter Egg Hunt
So, if Easter is a Christian festival to celebrate
the resurrection of Christ, what’s with the eggs?
And where do the rabbits come into it? We don’t
remember them in the New Testament. Of course, it turns
out, that they’re pre-Christian rituals, tacked
onto the religious festivities. The Egyptians and the
Persians both gave coloured eggs as ‘spring festival’
gifts, whilst the ancient Egyptians believed that the
hare came out at night to feed the moon. In ancient
Europe, eggs of different colours were taken from the
nests of various birds to make talismans. People would
search through the woods for them, a trip which evolved
in to today’s egg hunt. The fact that eggs were
forbidden during Lent also made them a sought-after
prize. The first chocolate egg is believed to have been
made in Germany, but it was when German immigrants took
the skill to Pennsylvania that Easter started becoming
such a choc-fest. After the Civil War, the hunt for
the chocolate Easter egg became an integral part of
the festivities.
Like many US trends, it has crossed the pond and the
hunting down and devouring of eggs for mass consumption
(or EMC’s as the White House might call them)
has now become part of the fabric of the UK Easter festivities.
So if you feel the urge to seek out and destroy some
cocoa-filled monsters, see pages 12 and 16 for locations
plus page 23 for dental consequences… NW
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Eggs is eggs: but what
have they got to do with Easter? |
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Friday 14th
April |
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Easter
Egg Hunting - with the National Trust
The National Trust is organising a number
of Easter egg hunts this Easter weekend and a couple
are within half-an-hour’s drive from Lewes. Ten
miles east stands Alfriston Clergy House, the very first
building purchased by the Trust back in 1896 (for just
£10). It’s a small thatched half-timbered
medieval building, with a chalk and sour milk floor,
which commands good views across the Cuckmere Valley
from its beautiful cottage garden. The garden’s
rare array of traditional flowers will be starting to
bloom: a bit of patient searching is likely to unearth
a few bunnies and eggs, too
Where?
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The Tye, Alfriston |
| When? |
10am-5pm Daily (closed Tues & Friday) |
| How Much? |
Adult £3.25; Kids £1.60 |
An alternative egg-hunting venue, ten miles north of
Lewes, is the wonderful Sheffield Park Garden. Henry
VIII spent time there as the guest of Thomas Howard,
the 3rd Duke of Norfolk. The grounds as we see them
today were mainly laid out by Capability Brown in the
1790’s, whilst much of the flora we can see, including
the exotic arboretum, was planted around the turn of
the 20th century. Rest assured: your kids’ scramble
for eggs will be soaked in history. NW |
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The revenge of the weir
rabbit: Easter activities in Sheffield Park |
Where?
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Sheffield Park Garden, Uckfield |
| When? |
10.30am - 6pm |
| How Much? |
Adult £6.20; Kids £3.10 |
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National
Trust:
(t) 01825 790231
(w) Website
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Friday 14th
April |
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Classical
Music - St Cecilia’s Mass
French composer Charles Gounod is best
known to modern TV-bred audiences for the Funeral
March of a Marionette, which was adapted for the
theme music to the Alfred Hitchcock Presents
show. (Listen).
To opera lovers he is also revered for his adaptations
of Goethe’s Faust and Shakespeare’s
Romeo and Juliet. However his first critical
success came before any of these works were penned,
and the praise came not from French, but from English
critics, after the debut of his first serious work,
the Messe Solonelle in G, nowadays known as
the St Cecilia Mass, in St Martin’s Hall,
London. “Within our experience,” gushed
The Atheneum, “we do not remember any
first appearance under parallel circumstances…
It is the poetry of a new poet." Four years later
the Mass was met with similar critical acclaim in Paris,
and a star of classical music was born.
Tonight’s rendition of the Mass in St Leonard’s
Church in Seaford is a rather unconventional affair.
All-comers are invited to join the church’s well-practiced
choir in this Easter rendition of Gounod’s much-loved
work. There was a practice run-through of the work on
April 10th; there will be a further rehearsal two hours
before the performance. Those who do not wish to participate
in the singing can turn up simply to listen to the main
event, though it would be a pity not to join in, particularly
in the crescendo and fortissimo after the second part
of the Sanctus solo. Classical karaoke? Should be a
scream. AL |
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St Cecilia, you’re
breaking my heart: Charles Gounod’s Easter Mass |
Where?
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St. Leonard’s Church, Seaford |
| When? |
5pm for practice, 7pm for performance. |
| How Much? |
£2 for singers and listeners alike |
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Friday 14th
April |
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Gig -
Boho
Before I ring John May, the lead singer
of Boho, I dig around the web a bit and find the band’s
2002 4-track EP New Beat Experience. So I listen to
the songs. I like them, and find them a little hard
to categorise. There’s a folky feel to a couple
of them, the others have a richer, fuller, bluesy sound.
A saxophone appears, and disappears again. The lyrics
are grown-up, and rather sad.
“Resurrection has its rules
Watch the party catch on fire
Preacher man and holy fools
Calling me a sinful liar.”
At first I think I detect something rather Brightony
about the sound. But this isn’t quite right. Then
I get it. There’s something unequivocally…
Lewesy about the sound.
May used to be an NME journalist, so I try a rock-cliché
opening line.
“Billy Bragg meets Alan Ginsberg in the Lewes
Arms?”
Mercifully he laughs, before telling me about the band.
They are celebrating their sixth anniversary. Over thirty
people have played in the line-up. For years the band
were the centre-piece of a resident event at the Komedia
Club, dubbed the New Beat Explosion, featuring the likes
of Arthur Brown and Billy Childish. He cites Dylan as
a big influence. “There’s a little bit of
Americana and new folk in it. Not obscure. Quite danceable…
I guess it’s fair to say we’re a bit of
a cult.” I’m intrigued. I’m going.
See you there? AL
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Come what May: Boho at
the Oak tonight |
Where?
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Upstairs at the Royal Oak |
| When? |
8pm |
| How Much? |
£3 |
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Saturday
15th April |
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Art - The Chalk
Gallery
There are certain situations in our society
in which adults can take their clothes off in front
of strangers. In public showers, in designated areas
like nudist beaches, in Spencer Tunick photos. In most
other situations, however, public nudity is generally
considered shocking, and even illegal. In the western
world it is linked inextricable with sexual taboo, and
the notion of original sin. In representational art,
however, nudity is commonplace. There are nude statues
in public spaces, nude portraits in public galleries.
In Lucian Freud’s world, everyone walks around
naked, and nobody minds. The artist has a licence to
be a voyeur, and you are allowed to look through their
eyes. Why should this be? Does something about the artistic
process transcend our normal social taboos?
This thought springs to mind when you view the latest
hanging at the Chalk Gallery, entitled ‘Spring
to Life’. To painters, of course, ‘life
painting’ means ‘nude painting’ and
so nearly half the exhibits are nudes. There are large,
painterly oil nudes. There are watercolour nudes, their
body folds mapped out by conflicting shades of blue,
green and yellow. There’s a Gauguinesque tropical
nude and a seemingly abstract picture in red, black
and white, which on closer inspection turns out to be
two nudes, one reclining. There are paintings of women
by men, of men by women, and of women by women. Perhaps
tellingly there are none of men by men. It’s not
shocking, and not erotic, but it is strangely compelling,
to see all that nakedness, dressed up as art. AL
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The shock of the nude:
Spring to Life at the Chalk Gallery.
Painting by Sue Barnes |
Where?
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Chalk Gallery, North St, Lewes |
| When? |
10am-5pm |
| How Much? |
Free entry. Painting prices vary. |
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Chalk
Gallery
(w) Website
(t) 01273 474477
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Saturday
15th April |
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Gig -
Ska Toons
Originally, in the early sixties, ska was the
Jamaican version of American rhythm & blues, its
joyful off-beat kick adding a Caribbean smile. It made
you want to dance. As it became more popular, it became
more versatile, too. Bands like the Skalites started
adding versions of popular theme tunes, Beatles songs
and surf instrumentals into their set. When the Americans
developed soul music, the Jamaicans reacted in their
own way, and ska music slowed down a beat, and became
‘rock steady’, and eventually reggae. In
the late seventies, the movement moved over the Atlantic,
merged with the anger of punk, and the Two-Tone explosion
was born. All over the USA and Europe in the nineties
a fusion of new-punk and ska resulted in the eruption
of a thousand young bands, all thrashing away to that
distinctive offbeat rhythm, in an angry reaction to
electronic dance music.
The Ska Toons, who return to the All Saints after playing
their first gig there five years ago, are very much
an old-school ska band. This doesn’t mean they
just do ska classics: they don’t. It means that
they give that ska treatment to a number of different
songs too, often jazz numbers like Charlie Mingus’
Fables of Faubus, Charlie Parker’s Barbados
and Glenn Campbell’s Wichita Linesman.
They are an eight-piece, with a guitarist, a bassist,
a pianist, a three-strong brass section, a drummer and
a backing vocalist. It’s a big sound, and as infectious
as flu. You’ll smile, then you’ll start
tapping your foot. Before long, you’ll probably
be skanking along. AL |
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Don’t call me ska
face: The Toon Army at the All Saints |
Where?
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All Saints Centre |
| When? |
7.45pm |
| How Much? |
£7 |
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Saturday
15th April |
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Gig -
Turning Green
Brighton band Turning Green are playing
at the Lansdown again. Their previous concerts there
have been exhilarating affairs, full of raw energy and
virtuoso improvisation. Checking out the inventive four-piece’s
website, we are surprised to find our last preview,
from February, quoted back at us. “Listening to
Turning Green, you think you’ve caught a snatch
of something familiar. Wasn’t that XTC? Steve
Severin’s guitar? Miles Davis? The Beatles? Johnnie
Lydon? The Pixies? Each reference is fleeting, before
you realise you were probably mistaken. This isn’t
like Oasis’ studied and plagiaristic pop sampling:
this is eclectic mayhem, surreal memories thrown together
in a jazzy, funky, indie jumble, experimental pop with
surreal lyrics surprising you at every turn. It’s
dissonant; then it’s melodic. You want to sing
along, even if you don’t know the words….”
Just before deadline we get a call from the band’s
singer and drummer Sam. He tells us why the band keep
coming back to the Lansdown. “It’s the best
little pub atmosphere we’ve played in,”
he says. “The crowd is unpretentious and enthusiastic
and it’s wicked to play in front of them. We’ve
played in plenty of big venues but nothing beats being
on the pub floor with people dancing all around you
and spilling beer all over you. There’s no bullshit.”
Here’s some advice, if you like your music sophisticated,
live and energetic. Check Turning Green out, before
you have to pay large quantities of money to do so.
AL
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Dune Army: Turning Green
are back at the Lansdown |
Where?
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The Lansdown Arms, Station St, Lewes |
| When? |
8pm |
| How Much? |
Free |
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Sunday 16th
April |
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Military
Re-enactment - Fort Cumberland Guard
Newhaven Fort will be filled today with
the sounds and smells of mid-nineteenth century soldiery,
as the Fort Cumberland Guard re-enact the lives and
work of sea soldiers in the period between 1830 and
1860. The ‘soldiers’ (they’re non-enlisted
men doing this as a hobby) will be dressed in the period
uniforms: double-breasted, tail-coated and of high-collared
Prussian design. Not great in the hot sun then, especially
as each soldier will also be loaded down with a 9lb
muzzle-loading percussion musket which is 4’7”
long even before the addition of its 17-inch bayonet.
The group are based along the coast at Portsmouth’s
Southsea Castle where they put on regular re-enactments.
Last year they played a major role in the Trafalgar
200 celebrations. In Newhaven, they will be performing
various activities throughout the day, including ground
drill, musket firing and rifle drill. Expect smoke,
fire, shouting and a whole lot of banging from the Corps
of Drums, who will also be present in the Fort today,
wearing the slightly later 1860’s uniforms. As
it’s Easter, there will of course also be a ‘hunt’
on hand, this time in the form of an Easter quiz and
a bunnies and chicks trail around the museum’s
exhibits. NW |
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Big Boy Soldiers: The
Fort Cumberland Guards do their stuff at
Newhaven Fort |
Where?
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Fort Road, Newhaven |
| When? |
10.30am – 6pm |
| How Much? |
Adults £5.50; Kids £3.60;
Family (2+3) £16.50 |
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Newhaven
Fort
(t) 01273 517622
(w) Website
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Sunday 16th
April |
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Horse
Racing - Plumpton Easter Meeting
Did you win on the National? Me neither. The
thing was, I could have won, if only I’d listened
properly to the hot tip given to me by my six-year-old
son Sam. I told him I was going to place a bet and he
said, “number six will win Daddy”. I looked,
but felt that number six, Le Roi Miguel, didn’t
look like a winner and plumped for Joe’s Edge
instead. As my selection headed bravely around the course
for the second lap, Le Roi Miguel fell at the nineteenth
and all seemed well. That was until I heard the name
of the horse which went on to be the clear winner –
“and Numbersixvalverde wins the National again
for Ireland”, is a phrase I won’t forget
for a while.
Luckily, I have two chances this weekend to re-tap in
to Sam’s psychic powers, as Plumpton puts on its
two day Easter festival. There is a seven-race National
Hunt card on Sunday with a further six and a charity
flat race on the Monday. Racing starts at 2.30pm on
both days, but you can enjoy a full day out by taking
advantage of the funfair in the centre of course that
opens from 11am. Make use of the enclosure facilities,
enjoy your picnic, have a drink or two, win at the fair;
but most importantly of all, pay very close attention
to any tips that come you’re way, and keep an
eye on number six. NW |
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Sixth sense: never look
a gift tip in the mouth |
Where?
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Plumpton Racecourse, Plumpton |
| When? |
Sat & Sun Gates 11am; races 2.30pm |
| How Much? |
Adults Enclosure £10; Grandstand
£13; Premier £17;
All under 16’s Free |
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Monday 17th
April |
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Lewes
v Havant
Congratulations are due to Lewes FC, who have
reached the Sussex Senior Cup final for the sixth time
in their history. The Rooks beat bitter rivals Worthing
after extra time in a tight match at Horsham on Wednesday
5th. However they made hard work of beating a side a
flight below them in the league pyramid, which was fielding
no fewer than six former Lewes players, and which was
reduced to ten men in the first half after the dismissal
of Mark Knee. The goals came from Roscoe D’sane,
Kirk Watts, and Lee Farrell. Lewes will play Horsham
in the final on May 1st in Eastbourne.
Last Saturday Lewes seemed to be cruising for an eighth
victory in a row, 2-0 up against relegation threatened
Hayes with just five minutes to go. The Rooks had gone
1-0 up in the fourth minute when opposing keeper Kevin
Davies attempted to clear a gentle back-pass from Chris
Elsegood, only for the ball to bobble over his flailing
foot and roll comically into the net. Their second,
and seemingly clinching goal had come from a Jamie Cade
far-post volley shortly after the break. However the
Missioners rallied, and fullback Karleigh Osbourne hit
two late goals. Today the Rooks play Havant and Waterlooville,
a side in good form, pushing for a play-off place. Back
in August Havant beat Lewes 1-0 with a goal from Rocky
Baptiste, one of 26 the former Farnborough striker has
scored this season. Viva Prediction: 2-1.
AL
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Bend it like Beckford:
Lewes' midfielder hits in a free kick at the Pan |
Where?
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The Dripping Pan, Mountfield Road, Lewes |
| When? |
3pm |
| How Much? |
Adults £9; 14-16 £6; Kids
£2 |
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Tuesday
18th April |
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Bones
& Teeth
After a weekend dedicated to the cocoa-based
gods of gluttony and greed, redemption is at hand with
today’s Lewes Castle event. The session concentrates
on bones and teeth, and promises a range of activities
with ‘a bite’ for children aged two to five
to ‘get their teeth into’. If these include
encouraging kids to look after their teeth better, that
will go down well with the UK’s Chief Dental Officers.
In a joint statement in May 2005 they said “Good
oral health is a fundamental element of general good
health”, and vowed to find ways to improve a situation
where, despite major improvements in the standard of
dental care, many children are still not having treatment,
their parents put off by the cost. This has lead to
the unacceptable position where the majority of UK children
are still affected by dental decay. The quality of bones
is of course equally important for a good life; as well
as providing the structure enabling us to walk, they
also act as mineral banks, storing nutrients like calcium
and magnesium for the body to call on in times of need.
And interestingly, the 270 we are born with fuse down
to 206 by adulthood.
It’s unlikely that much of this information will
be passed on during today’s talk. We do however
expect that they will get a tour of the excellent castle
museum and the chance to draw a skeleton and a set of
teeth or two. NW
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Jaw deal: bones and teeth
at the castle |
Where?
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Lewes Castle, High St, Lewes |
| When? |
10-11.30am |
| How Much? |
£3 in advance |
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(t) Bookings 01273 405739
(w) Website
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Extras |
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Urbanisation
- density
Housing density can be a good thing.
No one wants to see towns like Lewes spread out like
Los Angeles, covering the Downs in swimming pools and
shopping malls. Then again, too much density can start
to feel like overcrowding. Lewes resident John Stockdale
wrote to the Sussex Express recently, concerned about
the proposed Phoenix Development. His letter can be
read on the Lewes Matters website. Stockdale points
out that, while the South East Regional Design Panel
recommend only 30-50 housing units per hectare, the
Angel proposal for the Phoenix Quarter will build in
excess of 200 units per hectare.
We’re not sure if his figures are correct. But
if they are, how dense are we talking about? Well if
each proposed new housing unit contains only one person,
that will give the residential area of the new Phoenix
Quarter a greater population density than any borough
of inner London. If we assume instead that each unit
were to contain the UK average of 2.41 people, it would
have a population density of 482 per hectare. Of course
we’re only talking about a small area here, but
if that density were to be increased over a larger urban
area it would be roughly that of the Kowloon City district
of Hong Kong, and higher than Calcutta, Manila or Manhattan.
Let’s hope it doesn’t come to this. Angel
Property have not given out exact numbers of how many
units they plan to build. But these comparisons underline
the importance of bringing their proposal through every
step of the normal planning consent process. DB |
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Getting mighty crowded:
urban density can be a serious problem.
Pic by Simon Dale (visit
his photoblog) |
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Extras |
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Bricks
and Mortar - Lewes Priory Mount
It is popularly known as ‘The
Mound’ but on official maps it is referred to
as Lewes Priory Mount. Every Easter Friday a 20ft wooden
cross is placed on the top of it. The view from the
summit is one of the best in Lewes. But what is it?
Who made it? And why? Nobody seems to know. I’ve
heard theories. The most common one, that it was a Victorian
folly, is impossible, as the Mound appears on 18th century
maps. Another popular theory is that the Mound is a
spoil heap from the digging of the Dripping Pan, created
while it was being hollowed out for use as a saltpan,
or a man-made fishpond. Some suggest it was built by
the Saxons as a vantage point, so the townspeople might
be forewarned of enemies or flooding; others see it
as a (very small) Norman motte and bailey fortress.
My favourite theory is that, as both sunset and sunrise
can be seen from the summit on the longest and shortest
days of the year, it was once a pagan site of some importance.
Unless it is excavated, we will never know the answer:
no bad thing perhaps. Much of this grassy landmark’s
charm lies in the mystery surrounding it.
In 1983 The Mound made the front page of the Evening
Argus when the people of Lewes woke up on Easter Saturday
morning to find that the Easter cross had been turned
upside down. The paper suggested that a Black Magic
circle was responsible: it turned out to be a prank
by that bunch of politically motivated hoodlums, the
Lewes Rebel Army. AL |
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Priory Mound: Pagan ley-line
or Norman motte-and-bailey fort? |
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Extras |
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Lunch
for a fiver - White Hart
I look on the White Hart menu board, and see,
to my delight, that one of my favourite dishes is on
offer. Gnocchi in Cheese Sauce. Only £4.50. I
confront a waiter carrying a large tureen of soup, who
takes me over to a serving hatch.
“What do you want?” he says in a Yorkshire
accent, balancing the soup precariously on a ledge.
“The gnocchi, please,” I reply, pronouncing
it in the Italian way. Call me pretentious, but I call
these little potato doughballs ‘knee-ocky’.
He looks at me blankly. I repeat the order.
“The Gnocchi. Gnocchi?” More blank looks.
I decide for a radical solution, hardening the ‘g’
and sounding the ‘h’.
“Can I have the ‘gernochy’?”
I hate this solution, but it works. The penny drops.
I go and wait in the newly refurbished front bar, all
wooden beams and cigarette smoke.
Within three minutes my order arrives, carried by a
cheerful teenage waitress. “Your gnocchi,”
she says, in the Italian way. Half the plate is filled
with gnocchi, the other half with roast potatoes, cabbage
and boiled carrots. This would be considered highly
unconventional in Italy. I decide to treat the plate
as a two-course meal. The gnocchi are delicious, their
bland chewiness set off nicely by the strong cheese
sauce. The vegetables, my secondo piatto, are tasty
too. I decide that I’ll come again. Maybe they’ll
serve bruschette. AG |
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White Hart-burn? The
food’s good, but comes in unusual combinations |
Where?
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White Hart, High St, Lewes |
| When? |
Bars meals served 11am - 10pm |
| How Much? |
From under a fiver |
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White Hart
(t) 01273 476695
(w) Website
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Extras |
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Photo of
the Week - Sue Barnes
We received this rather disturbing and rather beautiful
picture from Sue Barnes, a resident artist in the Chalk
Gallery, who took it in Southerham Quarry with her Kodak
digital camera. “I was sketching in the chalkpit,
and was lucky enough to be there at sunset when the light
suddenly became magical,” she says. The setting
has inspired a rich vein of work for the artist, who has
produced a series of paintings on the theme, entitled
‘Ghost Cars’, one of which we used on our
front cover a couple of weeks ago. We like the colours:
the pinky, peachy skin-colour of the cliffs which is reflected
in the puddle, the more bleached grey of the ground rubble,
and the blue and rust of the truck chassis that has been
abandoned there. There is a post-nuclear feel to the picture,
as if man has scarred the beauty of the natural environment,
then left. Crucially he has not managed to destroy its
beauty, only mar it. It also makes us wonder who dumped
the lorry there, and why.
We enjoy getting your opinion columns (250 words max with
photos please) and your photos, so keep them coming in.
We also welcome any correspondence, whether it’s
a short rant, some information on an issue we are covering
or you think we should be covering, or news about an event
you would like us to alert our readers to. Our address
is info@vivalewes.com. |
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Beauty and the Beast:
the inspiration for Sue Barnes’ Ghost Cars
(see issue 13) |
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That’s it for the Easter week,
then: we hope you spent it well, whether you followed
it religiously or more secularly by simply gorging yourself
on chocolate. This week, in no particularly order, we
are indebted to the following people without whom the
issue would not have been possible: Viv Cecil, Hayley
Mills, Lionel Pringle, Ambrogio Giotto, Fiona at Lewes
Town Council, John May, Sue Barnes, Michael Munday,
Hans Holbein, Roman Grill, Sarah Griseworth and Philip
Carr-Gomm.
Contributors were: Andy Grant, Jessica Wood, David Burke,
Antonia Gabassi, Dave Wilson, Nick Williams and Alex
Leith.
Thurs 20th: Professional
male choir from St Petersburg in St Leonard’s
Church in Seaford
Fri 21st: Greg Araki’s
coming-of-age movie Mysterious Skin at the All Saints
Sat 22nd: Sussex Senior
Cup finalists Lewes play Eastleigh at the Dripping Pan
Sat 22nd: Norman Baker
MP discusses the threat of global warming
Sat 22nd: The artist formerly
known as Sir Anthony Wedgwood Benn and Roy Bailey perform
at the Town Hall
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Black and white and red
all over: Tony Benn performs at the
Town Hall next week (portrait by Elizabeth Mulholland) |
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