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The Caretaker - Lewes
Repertory Theatre
The Lewes Repertory Theatre Company, which debuts this week
with a performance of The Caretaker, is the first of its kind
to be established in the UK since 1932, according to founder
Sean O'Kane. I meet O'Kane to discuss what makes repertory
theatre different and why he has chosen to revive the tradition.
With a blend of pragmatism and idealism, he begins with a
bold statement of intent, ‘I want to get people out
of their parochial mindset’, he asserts, ‘and
produce professional affordable theatre, which people will
travel from Brighton and London to come to.’ He sees
working as a repertory theatre largely as a means of making
the project financially viable, ‘it makes economic sense
to retain the same group of actors, with a programme of plays.’
Repertory theatre in its original incarnation - which suffered
in the war, I am informed, referred to the practice of a single
company putting on a variety of plays successively for short
runs, usually from a week to a fortnight. With an emphasis
on a range of genres, it provided young actors with the chance
to cut their teeth across a spectrum of disciplines, and has
been the launch pad of the likes of Judy Dench and Linda Marlowe.
The Lewes Repertory Theatre will not operate at quite the
same pace - offering a programme of two or three plays a year,
which run for a few weeks each. The Caretaker will be the
first 'product' from the LRC, whilst a version of The Signalman,
specially adapted for Lewes will be revived alongside The
Bear for the Christmas season. Their home will be the Market
Lane Garage, which is being converted into a performance space.
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